Aleksandra Bzdzikot




My art exhibition in Udine - impossible is nothing


This month I have participated in a collective art exhibition "Summer Art" in beautiful Udine. This adorable town is located near the border with Slovenia and is surrounded by small hills, montains and clear rivers. The vernissage was set for Saturday, 8.07.2017 and I was delighted to be one of the exhibiting artists. 



The art expo in Galleria ART time in Udine, despite being a success in my art career, has also meant something very personal for me. I would like to tell you a story, which happened on my way there and which made me realize something important. 


Before the vernissage, I decided to send my artworks by courier, simply because they didn't fit in my luggage. To be on the safe side, as they say, I shipped the paintings a week before the vernissage. Three days later, I was making a 2-days stop in Milan before my trip to Udine. While relaxing in my hotel, I got informed by my gallery that my artworks were stopped by the Italian customs for an unknown reason. To surprise me even more, the customs officials said that they were not going to release them soon. Despite the fact, that I did everything according to the law and attached all necessary documents, the package was stopped for an inspection.


Can you imagine going to your vernissage knowing your artworks would not arrive on time?


At first, I was really worried and got frustrated about the situation. It was aready 6 pm in Milan and the next morning I had a train to Udine. At that moment, laying on my hotel bed, I realized that however bad the situation is, I still have a choice. What kind of choice you might ask?

The choice on how to react about this situation. Either to break down, cry and fall in despair just by thinking that I would be the only artist without paintings or do something about it. I still had one more day to go. 


It was 6 pm in Milano when I literally jumped out of my hotel and rushed to the city to buy some art supplies. I said to myself: okay, my artworks will not arrive on time, but I will. And, I can create something new and bring it along to the exhibition. I bought paper, crayons, pencils and I even managed to find beautiful frames for my new creations. 



After the shopping was made, I poured myself a glass of water and prepared an espresso. It was going to be a night longer than usual. I sat down by the big wooden table in my room and let my inner creative force reflect itslef in the drawing process. No rush. Just me and my creative powers. I did two new women portraits, which I loved!



This situation helped to realize that rough conditions or unexpected problems bring precious gifts. We all face challenges. Everyone is dealing with something they wish they weren't dealing with. I learned that every problem we encounter is an opportunity in disguise, if you only allow yourself positivity. 


The gifts I received while handling this unexpected situation were amazing:

- more courage and self-belief

- strength of the character despite the external circumstances

- ability to construct a legal letter in Italian, which I have done for the first time :)

- faith that impossible is nothing 


Equpped with the memory of this experience I went to Udine, where the gallery owners liked my new portraits very much. The vernissage was a great event and I am grateful for all the amazing local people I have met there. Life provides me with opportunities to grow - so that my soul can bloom like a flower. 



In dark times or when your life takes an unexpected turn, we always have a choice. However, not always do we realize it. 

We can always control our reactions to a given situation and decide if we allow ourselves to be filled with sadness or joy. 



Hot Italian summer. Crickets singing in the background. The town of Udine begins its slow pace of every day life. 

Although two weeks have passed since I went there, I can still smell the freshly ground beans of Italian coffee and hear the morning calmness of the town waking-up...






Creation of "Lea" - step by step canvas painting

Today I wanted to share with you valuable insights on how to make a woman portrait on canvas.


Last weekend was very productive for me, as from early morning hours I woke up with inspiration and power to create something. As I had an unpainted brand-new canvas, I decided to use it wisely.


Sometimes I wake up with an idea or invincible power to create. I think we, human beings, are very gifted in terms of our creative powers. We can create everything we want, we have great ideas and we can turn our dreams into reality. I am always thankful to other artists out there, be it movie directors, painters, musicians or photographers. They provide me with lots of inspiration and emotions, that trigger the most beautiful in us, humans.


With such a fire to create I woke up early last Saturday. Some of you may find it extreme or unusual to wake up before 6:00 am on a Saturday - the day when you don't have to go to work, but for me, this is the best time to create. To pursue my mastery.


Before my "Lea' looked like this, I needed to go through certain stages, which I would like you to guide you through.





Some artists don't ever sketch on a canvas. Not to mention the fact that it's not easy due to the canvas surface and the eraser simply doesn't work in case you want to cross out a mistake or change the shape of the lips :)

I also encountered this problem while sketching "Lea". However, for me, a preliminary sketch works perfectly, especially when I want to paint a woman with the details like face characteristics. After I have done a pencil sketch of the lines of the face, I feel more certain with putting the paint on.





Painting on a canvas is a complex process. Naturally, it depends on what would be your painting subject. Here, it is a woman. Therefore, I start painting with putting the background color.  If you want to make a one-color background you just need to paint the background in one color.

In my case, I wanted the background to be inter-dimensional, with different colors delicately shining through like the sun shines through the leaves of the tree. 


At first, I painted the canvas in white and light pink, later on I added some blue and apricot colors. Take notice that I also painted the face of the woman at the same time that I painted the background. I used two types of brushes - one the so-called flat and the other more pointy.





Before I come down to this stage I leave the painting to dry for about 20-30 minutes. It's essential to let the first layer of the paint dry so that later on it will not mix with the next strokes of the brush. Here, you can clearly see that I started with painting the hair and the facial features were actually the last thing that I painted.

I applied the same painting rule as with the background. I put layers - first the lighter colors like siena and brown and then I finished with highliting the details of the face with red and dark pink. 




The last thing that I worked on was the background. I wiped it out with tissues to have a more blurred effect, as if a woman is seen through a mist or appearing from some space. 




Canvas is the tool to tell a certain story, to convey feelings to the viewer. When you are painting ask yourself a question: What feelings do I want to convey in my painting? What kind of story will it tell? 

Usually, the story is hidden within the details like the look in the eyes, the invisible smile like the one on Mona Lisa's or something else you put in the painting.

Of course, not everybody will notice these small details, but at least you can arouse the imagination of the viewers.


I must say I am quite happy with the achieved result. It was a perfect wake-up practice that charged my batteries for the whole day.




Hope you like my "Lea" and that my painting hints were of value to you.


See you next time,



Art Basel 2017. My personal impressions.

Art Basel is a place where notable art galleries and contemporary artists of our times meet to evoke emotion and spark conversation. 


This year Art Basel took place on 14-18 June 2017 at Messeplatz with astonishing modern architecture of the exhibition halls created by Herzog & de Meuron. The Swiss architects have also created modern architectural pearls like Elbphilharmonie HafenCity in Hamburg or Prada Store in Tokio.



As an artist and art lover, naturally, I couldn't miss the opportunity to be there and check what other artists are doing and how this amazing art marketplace functions. I had a breadth of works to discover including paintings, sculpture, installations, video and digital art.


The fairs were opened to the public on Thursday 15th, although the VIP collectors and leading dealers had three days before to make sales before the official opening of the show. If you are wondering what amounts we talk about, it's worth to mention that Hauser & Wirth Gallery declared Tuesday as the most successful fisrt day ever at Art Basel, having placed a 1970 oil by Philip Guston for 15m USD, among a dozen of early sales. 

I think almost every visitor to Art Basel wonders how artwork prices are calculated and what such a calculation is based on. The sale prices were varied and depended on the position of the artist and his name, as well as the gallery who represents him. personally, I saw artworks starting from 2 000 USD and reaching up to 350 000 USD or even more. 


Actually, I have visited the fairs twice on two days. First time I wanted to catch the art atyles and ideas on painting, which is my preferred category of artworks. The second day I wanted to see installations, digital art and sculptures, which was very fascinating and sometimes shocking as well. 


Are you ready to take a look at my personal 'surprise moments' and things, which I liked? 

Let's start then. 




I am pretty sure many of you know Joan Miro as an artist whose artworks can be labelled as surreal or even abstract. Miro was inspired by art movements such as surrealism, dadaism and cubism. I clearly remembered his recognisable painting style. What a surprise was for me when I saw a classical landscape painted by Miro at Art Basel. Somehow, I have not assumed that he painted something else than geometrical or surreal flattened objects and figures. 


Here you can see his landscape 'Tuilerie a Mont-roig', oil on canvas, painted in 1918.

This painting was sold at Christie's for a price around 8 500 000 USD. Impressive.




This Germanan artist made an interesting installation called 'Grammatik VII' with 8 painted and lettered motorized propellers. As outside of the exhibition hall it was quite hot and sunny I thought instantly that such an artwork would be perfect to install in an office or home.

Creative and useful.




I was so happy to see Chagall's paintings, because I have been a fan of his painting ever since. I like his style, which transports me into a dream world of poesy and color. Chagall was a painter who combined real and dream worlds into richly colored fantasies where people fly and animals cavort. 


He was a Jew coming from Belarus and the one of very few whose artoworks were shown at the Louvre during his lifetime. His story inspired me, as it proves that you can make it regardless of what country or background you come from.

Chagall's painitng insfluenced my perception of color, whcih resulted in the colorful landscapes I create. I'm so grateful to be inspired by such a master. 


Below you can see his painitng 'Les amoureux en rouge' from 1952.

The lovers on the painting culd be Chagall himself and his wife Valentina Brodsky - their marriage lasted 33 years, until Chagall's death in 1985.




Frankly speaking, this painting shocked me the moment I saw it. why? First of all, it is a completely non-standard painting. I'm talking here not about the fact that it is a paint on photograph on canvas. Although that's pretty interesting as well. When you look at it, you see the main surface of the canvas is one-colored, whereas you are able to see something on the sides of the canvas - a part of a building called 'Duomo' (the cathedral).


Ger van Elk, in my opinion, made a shift in a traditional way of perceiving art. Usually, when you have a canvas you paint on it, so that the main shapes or figures are in the central location - the surface of the canvas. Here, the surface is empty - although it has a brownish color, which, by the way, is called 'sienna' on the list of Pantone colors. 

The artist has used the sides of the canvas, which usually are left empty or colored monochromatically. On the sides we see a photograph of Duomo, the one, which probably is in Siena, Italy. This is the art play of Ger van Elk - Siena as a city and sienna as a color. A very interesting play of words and artistic concept. 



Above you have seen the most interesting things at Art Basel that I wanted to share with you. Of course, there is so much more and I could write about art for hours. It's fascinating how artists mix art and philosophy or clever ideas with a useful result.


I must say I am not a huge lover of abstract art, but there was one painting which caught my attention. I love the energetic splash of colors and the way it creates some forms on a white background. It's very vibrant and alive.



Those of you who have visited Art Basel - I hope you had fun and that you were able to uncover some thought-provoking art pieces for yourself. 

Hope my insight into Art Basel 2017 was interesting for you to read!



If you'd like to see my short comment on Art Basel 2017 in a local TV TELEBASEL please check the link below (starts 2:40 min.):









Brilliant ways to make an art studio at home

Many of you ask me where I create my art and if I have a professional art studio.

Personally, I think one does not need an art studio to create. Sometimes what you need is some art space, which can be a part of your apartment where you will indulge in the creative process and make wonderful art pieces.


So, where do we begin? Have you sharpened your pencils to start?

If yes, let's start and let me invite you to a personal guided tour of my atelier.



If you really want to make art and creativity a part of your life and your every day practice I am sure you can find a space for that.

It doesn't have to be an ideal artistic studio. It can be a separate room, a part of a room, a corner or even a simple desk and a drawer! There are no limitations here.

It's like with everything, which is important in your life - you give it time and space.




This is exactly what I did - I divided a part of my apartment and organised my art space in there. Frankly speaking, my whole apartment looks like an art gallery. But I have a special corner where I have my working desk and a drawer for painting materials.


1. Find a space for working on your art

I can tell from experience that in case you don't have a separate room for your painting, finding a corner in your room works equally good.


2. Furnish it with basic things for your art materials

I took over a corner in my apartment where I put my desk and a small cupboard for my paints, paper, brushes and other art materials.

The desk can be a normal desk for study or a spacious table that sometimes will be converted into your art desk. My desk is very simple - from Ikea and I have painted it in pastel blue to personalize it more.



What things I keep on my desk to make pleasure out of my painting experience?

I always have some fresh flowers and many pens, pencils and brushes. On the side, I usually put some fashion magazines like Elle Italia to get some inspiration for my women portraits and work on my Italian at the same time. My desk needs to be clean before I start the creative process. It's like cleaning not only the physical space around you but also the mental one. It helps me to focus instantly on my work.

Last but not least - coffee :-) I am a huge coffee lover and a cup of a good coffee is essential for me. Usually I drink Lavazza - one of my favourite brands. I am quite picky as to coffee, and it needs to be a genuine one and of good quality.


3. Repurpose an old piece of furniture like a cupboard for storage

When I moved to Switzerland my friend gave me a small, old wooden cupboard which I painted white and converted into art supplies storage place.

I put there my inspirational materials, paper supplies ans my illustrations. Acrylic and oil paints are stored in the blue box. It works perfectly and stands beside my working desk.



Those of you who are artists ask me what kind of paints I use and in which technique I paint. As you are well aware, there exist many techniques and styles of painting, starting with watercolous and ending with oil. I work best with acrylic and oil and the brands I use are various.

For oil painting I like good quality paints like: Van Dyck and Mussini. For acrylic I use the basic ones, which mix well with one another. As you see below, apart from coffee I am a fan of beautiful scents. Currenlty, I have a Diptyque candle that I like to light in the evenings to boost my senses.



4. Feel good and resourceful in your art space

Do you sometimes worry that you are not good enough? Do you have thoughts that you're mediocre in what you do? Such thoughts appear in our heads from time to time but sometimes they can overwhelm you during your painting process. It is natural, that we, people, have doubts about ourselves and our capabilites. However, everybody wants to feel good and flourish in their craft. Is there a magic pill for that?


I would say that yes. There is. For me it's the sense of freedom.


When I sit myself by my painting table everything around slowly ceases to exist. I don't focus on whether I will create something nice and if people will like it. In this moment, I do not care about the opinion of others or the way I look or if I am good enough to be a painter. I don't need that information. I am not afraid of being critised or being my true self. This is freedom for me. And it is with that feeling that I sit by my table and paint.


Focusing on the present helps me to bring out my sincerest feelings and put them on the paper. It is the process which in the end brings you amazing results. This process is the resource of all my artistic skills. Imagine a wave on the ocean - its essence is to be in the movement, in the process. When the wave freezes - it's not a wave any more. I think it's the same with painting - use your wave to get access to true resources within you. Life is fluid. Only when you think about your life in your memory you see images, scenes like in a movie. They are frozen waves.


Don't stop surfing on your wave. Stay alive and enjoy your creativity!





See you next time!



Painting flowers

With all this warm weather and sunshine it is a wonderful time to catch some floral energy and reflect it in a painting. 

It's already June and the nature is fully blooming and preparing for the summer. At this time I go and photograph flowers and colorful landscapes, sunrises and sunsets, calms and storms.


Painting flowers is a gem among still life themes. Although flowers fall within the category of still life they are, in fact, very alive and vibrant. That's why it is so worth to use their beauty and energizing colours and transfer it to make an artwork. 



For those of you who are not sure what 'still life' means here's a short recap from the art history:

What is still life? 

Still life is a painting featuring an arrangement of everyday objects (natural and manufactured) like flowers, fruits, books or food. These objects don't move. A painter usually paints a scene with a bottle of wine, fruits and a dead fish. This is just an example. Many well known and recognized painters painted still life and it became a genre of its own in 16th century. In the next century, it reached its heights in 17th century Holland. I am sure you remember Flemish or Dutch paintings of flowers on a dark, usually black background. 


My paintings of flowers are strongly influcenced by 17th century Flemish paintings. I often use the black backgroud, because I think it brings out the colours of the flowers even more. It makes them stand out and gives the whole painting a touch of elegance. 



This painting "The midnight bloom" was exhibited at New York Contemporary Art Fairs "Art Expo" in April 2017. 

The floral texture depends on the way each separate flower is painted - take a look and you will notice that peonies in pink-red-white are painted with different strokes of the brush than the small yellowish flowers.


I would like to share with you some useful tips on how to paint flowers in a dynamic way. 



If you take rose and sunflower you notice that they are of a different shape. Composition is a process of taking several basic elements and arranging them into a unified, visually pleasant motif.

All forms in nature can be reduced to a few basic shapes - a circle, oval, square or triangle. A tulip seen on the above painting can have a form of an oval - when it's buds are not fully opened whereas small blue flowers of hyacinth are based more on trangles. 



Your entire painting will be affected by the background colour. 

A warm background pushes cool colours forward. The contrary happens with a cool background: it pushes warm colours forward. 

Let's take an example: if you are planning to paint a yellow sunflower it will stand out more on a blue background. 



I am sure many of you use different techniques for flower painting. It can be acrylic, oil or watercolour. I usually use oil with a bit of acrylic. Why oil?

I think oil helps me best to 'sculpt' the flowers and gives them a rich texture and coloring. 


                                                                                     "Lover of life" - oil on cardboard


"Flower composition" - oil on cardboard


Flowers are associated with the feminine.

Quite surprisingly, paintings of flowers have almost exclusively been created by male artists. Still, painting flowers is a classic subject with a history much longer than the 17th century or even reneissance. 

Flowers are sensual, of magical smell and delicate touch. No wonder that they resemble women in many ways. Their erotic lines, richness of colours, shapes and sizes are straightforward allusions to feminine body forms. In fact, a woman's body is the part of the world of nature just like a flower.


We are flowers, dear ladies. We bloom and give life and beauty to this world every day.






Why I visit museums and art galleries?

Some of you might think it's a boring to-do activity on your list when you visit a city, but actually, it is far more fascinating. 



1. You  discover the code of genius and mastery.


What I mean by this, is not only learning the painting techniques or observing the painting style of a painter. Most importantly, the artworks are the witnesses and, at the same time, the results of the strong will of the painter to go after his or her dreams. 


You see that the exposed artworks are exceptional and the painter exceeded in his mastery. Whenever I lack energy or inspiration I visit a museum or an art gallery. When I see that some artists, who came from a very simple background, could make it up to such an exceptional level, I feel empowered that I can do it as well. 

This year I visisted Musee d'Orsay in Paris. In order not to get too tired of visiting this museum (yes! strolling around and taking in artistic energy can be tiring) I came there with a plan to focus on impressionists and their mastery. The number of artworks can be overwhelming, so I suggest to make a plan what you would like to focus on most of all. Then, learn how to crack the code of genius of your chosen painter.


2. You boost your creativity and recharge.


Ususally when people hear "art gallery" they associate this word with pompous, fancy and "hoity-toity" place with expensive artworks that they could never afford to buy.

Is this the the picture of how it really is?


Very unlikely. Of course, the price range is wide, depending on the stand of the artist in the art market. But still, in smaller cities or cities where art market is the biggest (like London or New York) you can find unique pieces in an affordable price.

I like strolling through galleries - please note, that to every gallery the admission is free and you don't need to pay to see the paintings. I drink my coffee, go to a gallery, spend some time there, read about the artist and get inspired - either by his/her art or by the biography. I explore, recharge and interpet what I see.

Each painting has a story to tell. Appreciate it. 


The painting below made a big impression on me - "The birth of Venus" by a French painter William Bouguereau.

Near the end of his life he described his love for art: "Each day I go to my studio full of joy; in the evening when obliged to stop because of darkness I can scarcely wait for the next morning to come...If I cannot give myself to my dear painting  I am miserable".


Passion needs constant work and focus, it needs your love to flourish.




2. Museums and art galleries are portfolios of passion.


If the painters whose artwork you see in the museum were not passionate about what they do, they wouldn't have been hanging there and you wouldn't have learned about them at school. It's the result of their passion what your eyes see. 


I go to museums to learn that everything is possible. If you want you can become a master in your craft, just like William Bouguereau, who was born in the family of wine and olive merchants and made his way to become an art master. 


You can make your way too!

Below one of my favourite pictures: artist Bzdzikot with artist Renoir.



Until next time,




Beauty to unveil - painting women

Why do I paint women? Many of you wonder what is the difference between painting landscapes and painting women.

A different type of beauty. A beauty to unveil.


Being a woman is a unique experience of a feminine soul. A woman's journey in this world is filled with awakening your feminine heart and energy.

It's not always just about looks, because real beauty shines deep within and sparkles through the eyes of a woman.


"Hebe" - my new illlustration


Painting women for me is unveiling deep-hidden beauty and uncovering the mystery of a feminine soul. Woman is the crown of creation - the most intricate, dazzling creature on earth. She has a crucial role to play, a role which is different than that of a man. That's why we were created to be so different. To fit together like yin and yang or like partners in crime.


It has always been a great pleasure for me to draw or paint women, because in this way I uncover my feminine soul and breathe life into the women I create.

Why don't I create men portraits or animals? Well, have you seen many paintings of  man?

It is the beauty of women that was celebrated everywhere, hundreds of times in painting and art. Man shows his strength in action, whereas woman in her beauty - her eyes, her voice, her heart, her spirit.


                                                                                       My illustration "Judith"


When I paint women I give my best to reflect the soul in their eyes, to catch a delicate emotion of pleasure, smile or thoughtfulness. The eyes are the doors to the soul, therefore I focus on transferring real life to the women I create. Eyes can tell you everything that words cannot.


Beauty is an essence that is given to every woman. Regardless of the shape of her figure, the colour of lipstick that she wears or the size of her breasts.

And that it why beauty is so powerful and inviting.


                                                                          My illustration "Bella" in my bathroom :)


Until next time!



Art & Success

Every artist who creates art wants to be successful. But what is success to you?

Success means something different for each of us. For some, it will be the appreciation of the art critics and publicity, for others money and turning your art into a prosperous business.


I wanted to share with you my insights on what success means to me, as lately I was published in two international art books curated by US curators and gallery owners, which is a big success for me! It's a great opportunity to define what success means to me personally and share this with you. 



Success is when I do what I love. This is rule number one for me. PASSION. 

I am an artist because I adore the process of creating and bringing an artwork into life. Making it last forever, as something I have created with my own hands.

This is precious for me. Creating with my own hands, getting dirty with the paints and dizzy with the smell of terpentine. I think it the era of technology people have forgotten how great and fun it is to create something with your own hands.


Success is when people appreciate my art. Rule number two. APPRECIATION and RECOGNITION.

So often I get feedback on social media like facebook or instagram that people like my work. This literally gives me wings to fly even higher with my art. 

In 2016 I was chosen by curators of World Wide Art Books - US-based publishing house dedicated to promotion of contemporary art - to appear in their art book "Current Masters 2". When out of the blue I received an email from them my happiness had no limits. I agreed instantly, as I knew that they are professionals with established reputation as art curators in the US. The result of our cooperation is one page publication of my art biography and two chosen artworks. 

The book looks great and I am so excited to be a part of it!



In 2017 another success came came in with my publication in the art book "International Contemporary Masters XI", which is the latest publication of WWAB.

This art book includes artwork by one hundred artists from all over the world and provides a diverse retrospective into modern art. I'm delighted to be included as one of the one hundred amazing and talented artists.



Success is when people buy my artwork. Rule number three. MONETARY GAIN. 

I create art for people, because for me as an artist, it makes my heart smile when I see that people buy my paintings and hang them in their living rooms or working premises. Thus, they have a unique artwork with an energetic signature of the artist instead of a cheap painting copy of some painters. To be frank, I have nothing against buying artwork wherever you like, but in my view, if you'd like to go for quality and something one of its kind - choose a real, original artwork.


Naturally, making sales is a sign of appreciation for me. I work on commissions and my last one was making an ink illustration of contemporary London for a lady who was going to wedding of her friends who love London. It's a splendid occassion to expand my abilities and practise drawing architecture. 

Working on commissions is a fascinating subject as the artist needs to 'tune in' a bit to the vision of the client. But I will leave this subject for another post on my blog. 

I think it's essential to state that making money on art is a sign of appreciation, recognition and art mastery at the same time. 


I truly love the fact that my art career is taking on speed and I am looking forward to new things and art projects coming up!

The art books in which I was published you can buy directly from World Wide Art Books. Check the link below:


I have some copies of the "International Contemporary Masters XI" left, so please let me know if you would be interested in getting one with a reduced price.



See you next time!



Painting landscapes. Spring.

There's always something spectacular about landscapes. The way they are, the way they change their colours and lights depending on the seasons.

Landscapes have been my great and never-ending inspiration. Are you curious why?


Who doesn't love vibrant colours and beauty of the surrounding nature? All great artists have created works getting the inspiration from nature. 

Spring is a special season - the season when the cycle of rebirth begins. The flowers are blooming, the leaves emerge to their full greenery and shape, the scenery begins to prepare for the most fruitful time of the year - summer. 


 My painting "In bloom" oil on cardboard 


I love painting landscapes as they generate intense emotions in me and I am grateful I can reflect through my own perception what I see. I think each of us sees the world a bit differently. Therefore, painters and art masters always show you their world through their masterpieces. it's a great opportunity to learn to look at things the way you haven't looked before. 


My painting "Spring awakening" oil on canvas 


For me, it is essential to paint in different light, seasons and moods. Each landscape, even if you paint it twice, will never be the same. The outside world is in constant movement and you cannot recreate yesterday's sunset.

You can only catch the moment and make it last eternally on a painting. The next day, not only the outside world will change but also you will be different. Your emotions, mood you are in and your thoughts. They all influence the creation process. 


         My painting "Spring" oil on canvas


When painting nature I use my imagination and mix my own colours. 

Pablo Picasso once said: "They'll sell you thousands of greens. Veronese green and emerald green and cadmium green and any sort of green you like; but that particular green, never". 

The variety and intensity of colors in nature is impossible to imitate. If yes, you could have thousands of green colours sold at art shops. It's not about buying ready-made paints and giving them a go on a canvas. The fun part starts when you mix the colours, the greens that you bought. Then, you can come up with a green that even no one has previously used! Isn't that great? Mix and mingle, try and test for yourself. 


My painting is strongly influenced by impressionism. Since I was a child I got interested in this art movement and remember vividly that at art classes in primary school I painted my first landscape - it was a copy of Paul Cezanne "Mount Sainte-Victoire". It was this moment when I got enchanted by impressionism.


Since that time I enjoy creating my own interpretation of what I perceive. 

The below painting "Heaven" presents corn field in mud, just after the rain fell down. Inside there is a paddle on the ground with a reflection of a beautiful sky. As above so below. Everything depends on your perspective. 


You can find beauty in the middle of muddy landscape, on a rainy day and during the storm. 

Adapt your perception. Free your mind. Explore. 


My painting 'Heaven' oil and acrylic on cardboard 

See you soon!



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